It is hard for us to realize that the heart of Paz, the hiker, has remained in Calbuco, excited, amused, ironic and sometimes sad. Her transfer, we can say, has not been in vain, because she has "straightened the march" to give us an insular landscape that is above all human because it takes into account the nuances of gender and generation; but that, above all, places at its center miscegenation as a symbol and as a somatic image that questions us in the crossing of histories and cultures that we are and that she, the ethnographer in motion, makes language in a fabric of bodies and trades.
Montecino, Sonia and Errázuriz, Paz (2007). The Chileans I, Calbuco. Santiago de Chile: AFA Gallery.
Sepur Zarco
SeeRing Fighters
SeePróceres
SeeAdam's apple
SeeTango
SeeThe nomads
of the sea
Children
SeeOld
SeeAnteroom
to a nude
Boxers
SeeThe Infarct
of the Soul
Circus
SeeBodies
SeeMemento Mori
SeeAsleep
SeeThe light
that blinds me
Women
SeeExéresis
SeeChileans I. Calbuco
SeeSecond hand
clothes
Eyes that
cannot see
Dolls
SeeThe Sacrifice
See(From lat. contactus). Action and effect of touching two or more things. Connection between two parts of an electrical circuit. Artifice to establish this connection. Liaison (person who has a relationship with others, especially within an organization). Relationship or dealings established between two or more persons or entities.
Photogr. positive impression, obtained by contact, of a photographic negative. U. m. in pl.