While working on the "Adam's Apple" project, Errázuriz received a Salomon R. Guggenheim Fellowship, which allowed her to complete her work on a subject that the military authorities considered extremely subversive. Shortly before the end of the Pinochet period, the photographer was able to exhibit the series, achieving the important goal of showing a forbidden subject at a time when it was still difficult to do so. In 1990, a year after the return to democracy, the photographs were published together with texts by Claudia Donoso. The book, entitled "La manzana de Adán" (Adam's apple), was an important achievement, something that could not have happened during the military period.
Herzberg, Julia (1993). "Recovered histories: Reflections on the Careers of Twelve Artists". In Historias recuperadas. Aspects of Contemporary Art in Chile since 1982. New Jersey: Rutgers/Clac, p.45.
Sepur Zarco
SeeRing Fighters
SeePróceres
SeeAdam's apple
SeeTango
SeeThe nomads
of the sea
Children
SeeOld
SeeAnteroom
to a nude
Boxers
SeeThe Infarct
of the Soul
Circus
SeeBodies
SeeMemento Mori
SeeAsleep
SeeThe light
that blinds me
Women
SeeExéresis
SeeChileans I. Calbuco
SeeSecond hand
clothes
Eyes that
cannot see
Dolls
SeeThe Sacrifice
See(From lat. contactus). Action and effect of touching two or more things. Connection between two parts of an electrical circuit. Artifice to establish this connection. Liaison (person who has a relationship with others, especially within an organization). Relationship or dealings established between two or more persons or entities.
Photogr. positive impression, obtained by contact, of a photographic negative. U. m. in pl.