“In all of Paz Errázuriz's work, there is a subtle awareness of the material and symbolic distance that acts as separation and mediation, as an intermediary, as a calculation to reduce or widen the distance between object and subject. This enunciative distance opens up the mobility of the field necessary for the photographer to transform her point of view into the critical agency of a gaze that knows exactly how not to confuse itself with the existential realism of the photographed.”

— Nelly Richard

"Paz Errazuriz's gaze, then, is a gaze that transits by playing with codes. On the one hand, she takes up the presence of certain figures that are already legendary in the register of urban disorder, but, and this is crucial in her work, her gaze transposes the physical lack, the mental subtraction, the mystery and the dilemmas that sexuality organizes in order to raise some questions about spaces and bodies, about populated territories and social wastelands. About the desire for place.

And it is the physical spaces that, like an enigma, finally captivate the eye in Paz Errazuriz's photographic work. We witness a scenario of cracks, of peeling murals, of spaces in a state of decay. But this decay does not evoke a symptom of compassion; on the contrary, it speaks of an aesthetic. An aesthetic endowed with great rigor, with an extreme sense of the interstices of the Latin American city.”

— Diamela Eltit